Stage lighting and music

Whether it is a large-scale concert, a variety show, or various celebrations, stage lighting will be used to set off the atmosphere, cooperate with the concept of music expression, and create a better on-site effect. Lighting plays a very important role, and the current stage lighting is also a variety of There are many, such as traditional tube lights, back lights, spotlights, and functional lights include computer scanning lights, color-changing lights, moving head lights, as well as aerial roses, laser lights, etc. Facing such a variety of lighting fixtures, what should stage lighting engineers do? How about using these reasonably to arrange a beautiful lighting effect? First of all, it is only necessary to think of the effect to end it. If it is unexpected, of course there is no need to talk about the end. The basis of imagination is the understanding of music, because music is the basis and purpose of the lighting effect plan, that is, the lighting effect is to set off the music atmosphere and express the music concept very well, so let's talk about how to use lights to express and Set off the music. The mood of the music chooses the tone of the stage lighting because the mood of the music is colorful. For example, warm stage lights can be used to express inner enthusiasm, such as red, yellow, etc., while the music with small tunes can be used in cool blue colors. shades of light.

This is easy to understand, that is, the synaesthesia of art, the expression of the same thing, different types of art are only different in the way of expression, but the feeling of expression is the same. With the understanding and grasp of the mood of music, we can first determine the general tone of the stage lighting, what kind of music uses what tone and color of light. Choose the rhythm of the music to match the rhythm of the lights. This is what we often call the combination of lights and music. How do you match it in detail? First of all, you need to know whether the beat of the music is four beats, three beats, or eighty-six beats, etc., and understand the strong and weak beats in between. You can use different colors of light and the intensity of light to match the beat of the music. Soon, the light doesn't have to match every beat, it can ignore the weak beats, and only reflect the strong beats, and the rest of the music can be represented by dark scenes. We can use the duration, strength, color and type of lights to reflect the changes in the duration, intensity, pitch and timbre of notes. The structure of music chooses the structure of lights. We divide the structure of lights into physical structures and non-physical structures. Stage lighting engineers often divide tube lights, back lights, computer lights, and color-changing lights into several levels of equipment in different combinations to form The three-dimensional effect of lights is the physical structure (spatial structure) of lights.